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The Flower of Life has become quite famous of late. It has also become the basis for the International Flag of Planet E-air-th. Carving on all edges, black obsidian cabochons and a “picture agate” for a central embellishment. The tiny dots [viewed better within the above-featured image] leading from the picture agate gemstone are 1.5 mm black MOP [mother of pearl] leftovers, as are all the other accoutrements. Sprayed waterborne gloss varnish.  About 3 weeks of work. So what is an artful craftsman’s work worth these ‘dayze’? hahaha                                                                                 800mm in O.D.

NB: Yes, there are now ads on this site as it’s a freebie from WordPress and always has been.  I use Chrome as my browser with Adblocker Genesis Plus.  Only a few sites will not allow you to view or read info if you have this.

I begin this chapter on some of my latest sculptural work through this poem.  There are a few extra framings and wall hangings tossed into the soup for good measure.  A dee~lite~ful expression.

Three companions for you:

Number one:
What you own. He won’t even leave the house
for some danger you might be in. He stays inside.

Number two:
Your good friend. He at least comes to the funeral.
He stands and talks at the gravesite. No further.

The third companion:
What you do, your work, goes down into death                                                                              to be there with you, to help.
Take deep refuge with that companion, beforehand.

~ Jalaluddin Rumi ~ 1207-1273 CE
as translated by Coleman Barks from Open Secret

This is Chinese needlepoint purchased at an enormous indoor gardening centre in Shijizhuang, Hebei province in 2012. The frame is Sri Lankan ebony, the blackest there is, which, I’ve saved for decades. The aspect of importance for the maker is that a frame can be much more than four pieces of wood or extruded metal, mitred at 45° in the corners. Try as I could, I was unable to get the light correct to show all the carving at the outside corners + show the interior carving. My photo genius buddy teaches me that photography is all ’bout the light.  Rubbed varnish oil finish. 450 mm sq. app.

I was introduced to the poetic works of the Sufis through an Episcopalian pastor [Anglican in Canada & the UK {no need to Google} who lived in NY in 2003. I met Dr. Joel Clark Mason after a calamitous car crash going to a conference in Hendersonville, North Carolina, entitled Journey into Wholeness. We entered a friendship that has endured, despite the geography and the fact that I am no Christian, even though being raised by a somewhat ecumenical father.  I have truths which change, but, no beliefs. The mystery of the Yin/Yang.

May 2003, extraction with jaws-of-life. 6 hrs unconscious. Minivan ran a red light and t-boned me 15 minutes from the destination on a sunny Sunday afternoon. Driver’s seat punched behind gear shift with passenger seat pushed out the passenger door.  6 airbags saved my hide.

The interpolation of other images, such as a few interior wall hangings allows me an opportunity for a full posting.  For those who know me well, I see ALL as interrelated, intertwined and thoroughly entangled.

Simple 4-piece frame? Nah, I’m jayöh! HE/SHE/WE made me do it. hahaha 64 separate pieces of wood, Purpleheart, Sri Lankan ebony, maple dowels, + a brown mystery wood of whose provenance and name, I’ve no idea. hahaha This is a digital image enlarged and printed by Claude LeBlanc, a friend and neighbour. Originally shot in 2002, it is emblematic of my touchstone of the inherent mystery or creative consciousness. The flowers are wild jack-in-the-pulpits. I’ve never seen them in a bunch, since like this maker, they are solitary Beings that prefer their own space. This is no simulation of a genuflection, rather, they appear as if in a sacred benediction, Each One facing T’other. All IS consciousness, nothing is behind that. Many have said so and now that I’m old enough to see through the veil of materialism, the eyes of the mind illuminate experience. I’ve dubbed them the kissing jacks and they festoon the wall above the bench in the MB. The nonglare glass was problematic even with a handheld polarizing filter in front of the point and shoot lens.                                                                                                   1020mm X 660mm

Introduced to the works of the late Irish poet, John O’Donohue, through a podcast with  Krista Tippett, in her PBS program of On Being. I am currently reading John’s: Anam Cara, which is Gaelic for “soul friend”. One phrase has stuck in my craw from initial reading:   * The passionate heart never ages.* 

An Iconic Garden of Sacredness in Symbolism…begins.

In a December 2018 piece in the UK’s The Spectator, Camille Paglia had this to say when asked: What is true multiculturalism?

“As I repeatedly argue in Provocations, comparative religion is the true multiculturalism and should be installed as the core curriculum in every undergraduate program. From my perspective as an atheist as well as a career college teacher, secular humanism has been a disastrous failure. Too many young people raised in affluent liberal homes are arriving at elite colleges and universities with skittish, unformed personalities and shockingly narrow views of human existence, confined to inflammatory and divisive identity politics.” …

This sculpture garden of icons, is the culmination of my life’s journey through the turmoil of understanding the duality of being simultaneously, both human and being, in a form that is based entirely upon all that has died and decayed, i.e., the food we eat.

 

 

From ‘Arabi’s poem: A Garden Amidst Flames. See the end of this page for the full take.  300mm X 450mm

As I reflect on a more than 60 year period of creativity, comparative religious studies with plenty of philosophical twists and turns, I see now that this Friend, this third companion, has been a lifelong soul friend of mine without even the knowing.  A felt sense shall we say? Coleman Barks teaches us in his expansive manner, that knowledge is part of the human lineage.  Little is truly original in content.  All comes to us through what has gone down beforehand. That’s the lineage he speaks to! Yet another take on Oneness, Advaita or the more secular nonduality.

The royal purple supertunia which, despite needing no dead flower picking, remains an early mornin’ daily ritual for me.  The air outside in these woods is so fresh at 6 AM.

This so-called sculpture garden of icons, is my method of showing that there is a way to stop the hate, to end the tribalism of cultures, religions and all belief systems, by embracing the common heritage we have as both human and being. *That* is the essence of these old icons, which, I felt the immensity of all last winter, by making and colouring them. What an incredible honour and humility to do so!

I had some leftover hemlock lumber, dried in the attic from the fabrication of Pi . Somehow the turbulence of the human world drove me to find an answer of acceptance and tolerance of others, ideas, behaviours and the resultant to-ing and fro-ing through my work and through the love of ideas. There are several themes brought forth with the genesis of the sculpture garden.  The few interior pieces have been made mostly on rainy days [a lot this spring], as I doubled between the workshop and the vegetable garden.

Knights Templar gigantic red cross button in quarter-sawn NS hemlock leftover from Pi. Here, the bandsaw is cutting the outside circle from an underside central nail fulcrum. I couldn’t bring myself to making this piece smaller, since all the attic stored quarter-sawn hemlock was 1500 mm long. Yes, I converted.  Should’ve done it decades ago.  I use the whole number scenario with no metres, decimetres or centimetres employed.  It’s an Aussie teaching. This inception was originally a button somewhere on Pinterest. hahaha

There are those of us who live alone, who have chosen the rural existence, far from the maddening crowd, yet still close enough to experience barking dogs, ATV’s and lawnmowers on Sundays. 😁 Those few of us who long ago, adopted an evidence-based diet, which, just happens to be plants, who see Spirit energized within all forms, both animate and inanimate, who see the seemingly relentless extinction crisis bearing down, there is this, our work, that provides purpose, calm and a peace with the natural world [All That There IS] in order to maintain some semblance of a meaningful existence. All of this allows me to grieve what may befall if business as usual continues. This IS my personal Tao.

Uniquely encompassed variation on a Baha’i 9-pointed star configuration. Their faith has no icon attached, but, the 9-pointed star is often associated. All edges are knife carved, ‘cept the flat planes. Rubbing varnish oil finish. Sap & heart NS white birch.                                  435 mm in O.D.

The mentor whom I initially travelled [2003 Hendersonville, NC] from my then home in ON, to hear in person, was Brian Swimme. Together with Father Thomas Berry, they were a team, instrumental in bringing to the fore a new story of The Universe. It was a comingling of spirituality and science for me, begun in 1999 through Sunday evening discussions [there were about a dozen participants], at the century home in Port Hope, ON, of Tom & Pat Lawson, ageing social and political activists, who delighted in dragging you kicking and screaming into their puddles. hahaha I immediately subscribed!

The Celtic Christian cross, from the UK, Middle Ages. Pagan sun symbol, halo of the Christ, who knows?     The Gaelic Celts loved the circle, using it extensively throughout their symbolism.  They saw that all of life was cyclical by mimicked the sun, moon and stars.                                                                                                                                                   650mm X 1100mm

John O’Donohue writes [pg.79] in Anam Cara: “The Celtic mind was never drawn to the single line; it avoided ways of seeing and being that seek satisfaction in certainty. …The circle never reduces the mystery to a single direction or preference. …The secret and the sacred are sisters.”

Brian told the assembled audience that creativity IS a spiritual discipline. For this scribbler, now well into his septuagenarian decade, it has been a lifelong calling, a force that refuses to cease showing up. I don’t question that force. I now know through spending time in the silence + through movement, that creativity is the most natural vibration of The Universe. Our Universe [One song], is self-regulating and self-correcting.  That’s an oft used expression of MW [Marianne Williamson, yet another mentor]. The Universe eats its own garbage. How much our high-tech culture has forgotten. Sigh!

Cross of Gnosis [knowledge] used by some Coptic first Christians. This was their adaptation of the dynastic Egyptian Ankh.  NS yellow birch & mirror.  Leftover chrome screws form simulated DNA spirals.                                                                                                                                                       750 X 1150 mm.

Long ago, my father was fond of saying that Beauty is in the eye of the beholder. It’s what artists or craftspeople do.  I’ll not enter the perennial debate of art VS craft.  As Alan Watts teaches, words are a segue into something deeper, for those who desire to enter the risk of the unknown.

I struggled for 3 days trying to figure out the acute angles on this Baha’i 9-pointed star.  I finally adopted a Nova Scotian idiom that is popular with builders:  “It’s close enough an’ that’s good.” hahaha

Lining up the Baha’i sections for glue with dowels. The clamping blocks are lined with paper and temporarily glued in place so that a clamp can draw the joint tight. Exterior glue is used [Titebond 111] because you asked.

By themselves, words may mean little to the uninitiated, taken out of their environmental and cultural epoch. That all we create eventually dissolves into dust is a reality, especially for me.

The 9-pointed golden icon of the Baha’i faith used by many. I’ve been informed by local longtime members that there is no accepted icon. There are 18 identical sections for this star, each with two angles. That makes for 36 in total to determine what part of 360 degrees each must possess. The number nine is quite fundamental in sacred geometry, as well as in other religions too.  It means completion, for the numerologists who believe, since it is the last and the highest single digit in our Abrahamic numbering system.  I had to lay it out at full scale to come fairly close, but, no cigar. 🙂 We woodworkers use fudge factors, which in this case, is the reinforced milk bottle plug at the bottom, doubling as the point of ground attachment for the 3/4″ metal pipe. 1/10 of a degree I can layout, [cutting is another task] but, beyond that, the experience, tools and techniques at my disposal, become inadequate. I had no software programme that could elucidate and articulate the acute angles. [I let go of the digical CNC machine in 2004.] As the length of each member changes, so do all the angles.  Yes! Many thanks to Kevin for the pine beam. Most challenging one of the nine individual sculptures, due to the complex geometry.                                                                      1100mm in O.D.

For exterior structures fabricated out of wood, with some paint and metal devices for creating upright sculptures,  decomposition is a certainty, sooner rather than later. hahaha The carpenter ants in conjunction with rain are already exacting a cost.  I smile, since what is present IS all and *that changes* as we breathe and blink. Yet, still we persist in fashioning form, that we alone deem of great importance and beauty, but, only in the moment.

NS White ash and BC fir complete this gigantic Andean Cross or Chakana. As a long practising cabinetmaker, my helping hands, when none others are present, have been clamps. Years ago when professionally employed, I had close to 100 of various descriptions for different usages. A heavy heft for this diminishing septu, for guidance onto the 3/4″ support rod! ☺️

To save our species and that of life itself, a simple answer would be to drawback, which is what Brian suggested all those long 16 years ago. Yet our economic guidepost of continual growth with all costs externalized is costing collective humanity our E-air-th.  [thanks to David Abram for his spelling in his latest tome: Becoming Animal]

Very recognizable Extinction Rebellion symbol used ’round our E-air-th.  NS white birch. Feather agate as a central drop. Rubbed oil varnish finish. Notice the hourglass “X” encircled by our… ‘biosphere’?                                                                                                                                                   About 390 mm in O.D.

I’ve been a student of comparative religions, philosophies, plus secular ideas all my life. The tribalism, lack of intolerance for other people’s traditions and ideas, ways of worship, expressed thoughts, which, at their core, create no aggressive behaviour directed towards us, is looked at through the lens of this craftsman for this installation. He uses the established practice of simply making, with a good degree of literary, poetic and artistic license thrown into the mix for a very good recipe. hahaha

Gluing the cross section at right angles for the Knights Templar red Cross button. 4-3/4″ X 5″ hard maple dowels hold this together.

There is no real originality. All we are, all knowledge, i.e., information [not to be confused with wisdom], comes to us through the lineage of our cultural environment and geographic crossroads as Coleman assures us; all that has breached the boundaries of what has been bestowed generation after generation, down through the ages.

Where is the knowledge lost in information?                                                                      Where is the wisdom lost in knowledge?

T.S. Eliot ~ 1888-1965

Knights Templar red cross in a gigantic button format. Maybe the Guinness Book might be an option? hahaha The red signifies the blood spilled in martyrdom, [still an honour for those unevolved in BE~ing fully human] plus the courage of those fighting as a first mercenary army for the Roman popes of the day. The surrounding white is for the purity of the faithful intent.  andsoitgoes…  1500mm O.D.

Again, the indoor playful additions were produced from winter 2018 through summer 2019. 

Dynastic Egyptian symbol for “LIFE”, the Ankh. *Double layer* NS heart red maple & mirror, partially flame figured in a rubbed oil varnish finish.  Additional 24k gold headed screw adornment in the form of a stylized uplifting Triquetra. Many thanks to Claude for the enlargement procedure and idea on how to do the smaller, overlain shape.                                                                        ‘Bout 675mm X 1275mm.

When Elvis Presley was criticized for wearing the ‘pagan’ Ankh among his many other crosses, he commented: “I don’t want to miss out on heaven because of a technicality.” pg.9, Secret Signs and Symbols by Adele Nozedar

The number of individual icons was determined at 9. This is a magical number. For those up on numerology, view this fascinating frolic from Gary Lite.

Laying out the head of Ankh, after roughed in gluing. White pine.

I didn’t want the sculptures pushing past the front door, although I finally let the AUM have her way with me…  Pi becomes the portal to this special purpose garden. The former works of Balance or Pi remain uncounted.

Dynastic Egyptian Ankh, symbolized LIFE, both here and in the afterworld. Their religion taught that there was no death. All is eternal ~ all is immortal. Traditional colours were green and gold/yellow.                                                         800mm X 1450mm

Out Beyond Ideas: 

Out beyond ideas of wrongdoing and rightdoing,
there is a field. I’ll meet you there.

When the soul lies down in that grass,
the world is too full to talk about.

Ideas, language, even the phrase “each other”
doesn’t make any sense.

The breeze at dawn has secrets to tell you.
Don’t go back to sleep.

You must ask for what you really want.
Don’t go back to sleep.

People are going back and forth across the doorsill
where the two worlds touch.
The door is round and open.

Don’t go back to sleep.

~ Jalaluddin Rumi ~ 1207-1273 CE

Before the project pieces can advance to painting, they must be rough assembled, patterned and cutout, before final shaping and sanding.  Just an ole guy playin’ with form. hahaha  What do you play within the expenditure of your waking hours?

Upon assembling the various white ash pieces for each section, [ash is a good exterior performer] the design is overlain with a paper templet, then bandsawn. The trick is to set up the pieces so that as little defects [ that which cabinetmakers refer to as knots, ingrown pitch pockets, cracks, bark] as possible enter the finished design, which, may prematurely affect exterior performance longevity.
Sacred Hindu and Tibetan Buddhist symbol. Also used extensively in many yoga disciplines.
It’s written as AUM or as OM. Pronunciation is crucial, stressing the ‘ahh-ooo-mmm’ all said continuously.  I’m told that this is the sound of The Universe [One song]. Okay. No argument. Some ideas are truly harmless.    😁                                                                                                                                    1000mm X 800 mm app.

The above AUM gives a satisfaction that is beyond pride or ego.  This time of year, the sun rises almost due east over the forest canopy.  Since the Aum is the icon farthest west, it gets pinioned with bright early dawn light ’round 6:30 AM.  It’s as if the sound of The Universe is on fire through this brilliant glossy crimson colour. Amen. Amin. Aum!

A current mystic who goes by the name of Sadhguru gave a talk about Being.  He said: ‘the word “belief”, means that one has concretized assumptions of which they know nothing about…But you can’t believe something all by yourself. So you need a hundred people around you. That’s why always, believers are in groups.  Seekers are alone.  You don’t have to teach seeking.  You have to teach belief systems…’

Sufi winged heart. Traditional colours of yellow for the sun [5-pointed star of Divine light] and a crescent moon [light responsiveness]; purple [royalty?] for the heart and dark blue [sky] for the wings. All of this symbolizes ascension for the enlightened. “The heart responsive to the Light of God is liberated.” 900mm X 800mm.

After nearly 50 years, I along with many others still sing the Lyrics penned by Yoko for John Lennon’s Imagine from 1971. It’s only recently that Yoko Ono was credited for much of the words of that famous song from her 1964 book entitled: Grapefruit. Kudos for righting the inequity.

Some know this as the Triquetra, Trinity Knot or even the Celtic Triangle. It’s interesting that the Trinity Knot has 3 names and also 3 loops, which, represent the Holy Trinity. These are complete or endless loops, i.e., no beginning or end. It is also representative of eternity in faith, loyalty and friendship. ‘One’ thread is used to demonstrate how life & eternity are interconnected. The other third aspect represents the 3 stages of the feminine: 1) maiden 2) mother and 3) crone. Delicate eh? Men really; when y’all gonna grow up and let go of the control which you really don’t possess? hahaha  Talk ’bout holdin’ up evolution, or what, eh! ☺️  1075mm X 1000mm

Moving down the path of inspection, we find this Bronze Age cross.  The Christian cross has so obviously been pirated from other traditions that came before.  That’s the meaning of Coleman’s lineage.  Bronze is an amalgamation of brass and copper, which makes a harder and more resilient metal alloy.

Neolithic, Bronze age or Sun cross. Similarities here to the Nazi Swastika pilfered from very early Hindus.                                                                                                                                                     1050mm O.D.
Chakana, Andean or Inca cross. Chakana means ‘to cross’ or ‘to bridge’. The 8 points symbolize the Southern Cross constellation. The central circle is how the mystical shaman leaves and re-enters this, our physical reality from the aether. I saw many with multiple colours, so I says to meSelf, “Why not?” 1400mm X 1400mm.

When I climbed atop the 8′ stepladder, I saw for the first time the full installation.  What struck me initially was all the vibrant colour! I struggled with choices since there isn’t any undisputed scheme earmarked for posterity in any of the literature I investigated. Even for this maker, it’s too vast a collection of artefacts from humanity’s recent past to comprehend in a few hours or several days.

Anton Kuerti, A CDN pianist had this quote from Felix at the beginning of a 1987 CD on the Marquis label, from my classical collection, which, is most appropriate. This is how I have always worked at this trade/profession/craft/art. As Mendelssohn writes, being your own true person may not endear you to all, yet, you will remain true to thine own Self.  In the words of my friend David Maginley, you will indeed shine! Work is play for those of us who understand this wisdom tidbit, as The Universe is essentially playful, initiating creative beauty through a deep love of common work endeavours.

As the summer moves through its season, the space now adorned with its own floral version of our collective past, will surely reveal more of the energy force behind the motivation of humanity’s path through this, our current wilderness of Being. I’m totally with Thomas and Brian when they state categorically that we’re in this mess because we don’t have a story.

One of my favourite expressions comes from Thomas Berry:

“The Universe is not a collection of objects; it’s a communion of subjects. An’ if we don’t get that, nothing’s gonna work.” Thomas Berry ~ 1914 – 2009 

Every installation ought to have a ladder shot. Low wind and great visibility. I can climb the roof but have no access to this angle from that loft.  I’m no longer ballsy enough to sit stride Pi.  Them were the ‘dayze’!😉 All 9 are visible. They are designed to spin with the wind. What’s neat, is to go for a walk through this forest of iconic ideas, spinning to see what’s goin’ down, then reflect on the mystery of, All That There IS.

Next up below is some chip carving on a line from ‘Arabi. He was an Andalusian Sufi who lived most of his adult life in the Middle East.  Many orthodox Muslims do not take kindly to their mystical brethren in this offshoot, yet, all Sufis swear allegiance to Muhammad, the Qur’an and Islam. andsoitgoes…

Direct light for chip carving the letters in white pine. Paper templet and a very sharp, hooked knife. Holding the work secure with clamps, which, frees both hands for the delicate incising.

On your way out the curved yellow brick road, don’t forget to look up on PI for what ‘Arabi has to say.

Indeed! Marianne Williamson, you go girl. Pay no attention to Don Mclean’s’ refrain of:             🎶 “They’re not listening still.”

Below, is the poem that was the original intellectual motivation for the title of this sculpture garden installation.  Many thanks to Joel, for introducing me to the poetry of the Sufis, the mystical branch of Islam, through poets & poetesses. I’ve dubbed these configurations in other places, the poetry of swoon.

Hung for the winter within the protection of the carport.

A Garden Amidst Flames

O Marvel! a garden amidst flames.
My heart has become capable of every form:
it is a pasture for gazelles and a convent for Christian monks,
and a temple for idols and the pilgrim’s Ka’bah,
and the tables of the Torah and the book of the Qur’an.
I follow the religion of Love: whatever way Love’s camels take,
that is my religion and my faith.

Ibn ‘Arabi   [1165-1240CE]

I Am John Gabriel Ötvös

aka jayöh

PS: I only use the free version of WordPress.  There are several formatting issues that disturb a pedant such as this scribbler, but I’ll not pay.  I don’t monetize this site and the few craft items I hawk would cost more for the shipping and packaging than the articles themselves.  These changes are new, as subtle pressure is brought to bear on those of us with fixed incomes who are unable to go premium. Thanks for the free service though!

One response to “The Third Companion”

  1. Lynn Shiner says:

    Hello – what a fascinating blog you have! I have just found it, and think I will enjoy taking my time to read through it a bit at a time. There’s much to read, absorb and think about, as well as beautiful wood pieces to admire. But for now, you’ve reminded me that I need to reread Anem Cara. Off to locate my copy – thank you !

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